Free Ebook , by Emil Ferris Emil Ferris
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, by Emil Ferris Emil Ferris
Free Ebook , by Emil Ferris Emil Ferris
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Product details
File Size: 673140 KB
Print Length: 416 pages
Publisher: Fantagraphics; 1 edition (February 15, 2017)
Publication Date: February 15, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01D5H511C
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Amazon Best Sellers Rank:
#88,537 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
When I returned this to the library, the clerk looked at it and said, "We cannot keep this one on the shelves!" Small wonder. This book is one of the most extraordinary of the year. There really are no words to sum up how I feel about this story. It's literally and figuratively a heavy read. It may seem to be just a book about a girl who likes monsters but it's so much more. It's a heartbreaking story of a young girl, who visualizes herself as a werewolf, in a poor family and dealing with tragedy while at the same time curious about the death/murder of the tenant above her and and her horrifying past in Weimar and then Nazi Germany. (Note: This book really isn't for kidsThe artwork is phenomenal and goes at times from pencils to pen and ink. I have to admit that at one point, I even wondered if Emil Ferris was just a pen name from Lynda Barry as in one sequence, a character looked just a a Barry creation. But no, it was a coincidence. "My Favorite Thing is Monsters" is new and exciting. I cannot believe I have to wait an entire year for book 2. I thought I was done waiting for books in a series after Harry Potter yet here I am.
As a monster-loving kid who grew up during the ‘60s and ‘70s, I identified with the scorned, mysterious phantoms of my favorite horror films. My fascination with these immortal creatures never died, lying buried from time to time and then resurging when the darkness within summoned that icily familiar grip. Reading Emil Ferris’ My Favorite Thing is Monsters, I feel again that freezing familiarity, the clench of a kindred spirit. The narrator in Ferris’ stunningly illustrated graphic novel, like myself as an adolescent, seeks escape from her feelings of loneliness and alienation by immersing herself in fantasies of thrillingly compelling supernatural beasts. Ferris, writing from the perspective of the narrator, Karen, creates an equally enticing world of fantasy by blending stories and imagery from Karen’s experience as an urban Chicago preteen in the 1960s with depictions of the horror magazines and paintings Karen adores. The book , formatted to resemble a lined notebook sketch pad, brilliantly perpetuates the illusion that the reader is stepping into the imaginary realm of a creative and extremely perceptive young girl. Detailed interpretations of monster magazine covers and famous art works such as Fuseli’s “ The Nightmare†are juxtaposed with gruesome depictions of Karen’s neighbors and playfully doodled sketches of Karen as a trench-coated child werewolf. As Karen explores her interest in art, Ferris’ illustrations reveal a variety of styles—from the neon-lit grotesqueries of Ernst Kirchner and the German Expressionists to the luridly seductive pulp art of popular comics and the grittily unflattering portraits of Robert Crumb. Unlike many graphic novels, Ferris’ work focuses on inner conflicts, the dangerous secrets festering inside neighbors, schoolmates, and family members that threaten to emerge in monstrous form when exposed. Secrets connect the lives of Karen and the people she knows. During her attempts to unravel the mystery of her murdered neighbor Anka, a Jewish survivor of the Holocaust, Karen discovers secrets within her family and within herself. A growing awareness of her own sexuality and the tragic revelation of her mother’s fatal illness lead her to find strength and solace in her imagination. The monsters she loves, draws, and writes about are her salvation. Ferris’s depiction of Karen’s monster fantasies and homoerotic stirrings while struggling with family tragedies, violence, and prejudice, though at times grim, is nevertheless inspiring, infused with wit, a sense of childhood resilience and untarnished insight. Like the enduring, undying creatures of the night that Karen idolizes, Ferris’ graphic novel (the first in a series) fascinates and enthralls, giving readers a tantalizing bite that leaves us craving more.
Based to some extent on Ferris’ experience growing up in Chicago’s Uptown, MFTIM features 10-year-old, monster-obsessed Karen Reyes as, in her trenchcoat, she investigates a woman friend's death in her apartment building. It's declared a suicide, but signs point to murder. There are many intertwined stories, as she begins to better understand her older brother Deeze, who's irresistible to the ladies, and other friends, neighbors, and relatives.Many are already calling this a masterpiece, and they're right, IMO. I loved the quirky but skillful drawings.The story is surprisingly deep and wide-ranging. A local newspaper article explained that she sketches people on Chicago's El trains for inspiration, and that's easy to imagine in this book.One of my favorite parts is the time she spends in the Art Institute with her brother Deeze, talking about various paintings, and even entering some.If you enjoy graphic novels, you'll want to read this one. If you like reading something different, and seeing a new talent emerge onto the scene, that's reason to give this one a try, too. (
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