Kamis, 05 Oktober 2017

PDF Download , by Yuval Noah Harari

PDF Download , by Yuval Noah Harari

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, by Yuval Noah Harari

, by Yuval Noah Harari


, by Yuval Noah Harari


PDF Download , by Yuval Noah Harari

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, by Yuval Noah Harari

Product details

File Size: 12846 KB

Print Length: 456 pages

Publisher: Harper; Reprint edition (February 21, 2017)

Publication Date: February 21, 2017

Language: English

ASIN: B01BBQ33VE

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Amazon Best Sellers Rank:

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Yuval Noah Harari's "Homo Deus" continues the tradition introduced in his previous book "Sapiens": clever, clear and humorous writing, intelligent analogies and a remarkable sweep through human history, culture, intellect and technology. In general it is as readable as "Sapiens" but suffers from a few limitations.On the positive side, Mr. Harari brings the same colorful and thought-provoking writing and broad grasp of humanity, both ancient and contemporary, to the table. He starts with exploring the three main causes of human misery through the ages - disease, starvation and war - and talks extensively about how improved technological development, liberal political and cultural institutions and economic freedom have led to very significant declines in each of these maladies. Continuing his theme from "Sapiens", a major part of the discussion is devoted to shared zeitgeists like religion and other forms of belief that, notwithstanding some of their pernicious effects, can unify a remarkably large number of people across the world in striving together for humanity's betterment. As in "Sapiens", Mr. Harari enlivens his discussion with popular analogies from current culture ranging from McDonald's and modern marriage to American politics and pop music. Mr. Harari's basic take is that science and technology combined with a shared sense of morality have created a solid liberal framework around the world that puts individual rights front and center. There are undoubtedly communities that don't respect individual rights as much as others, but these are usually seen as challenging the centuries-long march toward liberal individualism rather than upholding the global trend.The discussion above covers about two thirds of the book. About half of this material is recycled from "Sapiens" with a few fresh perspectives and analogies. The most important general message that Mr. Harari delivers, especially in the last one third of the book, is that this long and inevitable-sounding imperative of liberal freedom is now ironically threatened by the very forces that enabled it, most notably the forces of technology and globalization. Foremost among these are artificial intelligence (AI) and machine learning. These significant new developments are gradually making human beings cede their authority to machines, in ways small and big, explicitly and quietly. Ranging from dating to medical diagnosis, from the care of the elderly to household work, entire industries now stand to both benefit and be complemented or even superseded by the march of the machines. Mr. Harari speculates about a bold vision in which most manual labor has been taken over by machines and true human input is limited only to a very limited number of people, many of whom because of their creativity and demand will likely be in the top financial echelons of society. How will the rich and the poor live in these societies? We have already seen how the technological decimation of parts of the working class was a major theme in the 2016 election in the United States and the vote for Brexit in the United Kingdom. It was also a factor that was woefully ignored in the public discussion leading up to these events, probably because it is much easier to provoke human beings against other human beings rather than against cold, impersonal machines. And yet it is the cold, impersonal machines which will increasingly interfere with human lives. How will social harmony be preserved in the face of such interference? If people whose jobs are now being done by machines get bored, what new forms of entertainment and work will we have to invent to keep them occupied? Man after all is a thinking creature, and extended boredom can cause all sorts of psychological and social problems. If the division of labor between machines and men becomes extreme, will society fragment into H. G. Wells's vision of two species, one of which literally feeds on the other even as it sustains it?These are all tantalizing as well as concerning questions, but while Mr. Harari does hold forth on them with some intensity and imagination, this part of the book is where his limitations become clear. Since the argument about ceding human authority to machines is also a central one, the omission also unfortunately appears to me to be a serious one. The problem is that Mr. Harari is an anthropologist and social scientist, not an engineer, computer scientist or biologist, and many of the questions of AI are firmly grounded in engineering and software algorithms. There are mountains of literature written about machine learning and AI and especially their technical strengths and limitations, but Mr. Harari makes few efforts to follow them or to explicate their central arguments. Unfortunately there is a lot of hype these days about AI, and Mr. Harari dwells on some of the fanciful hype without grounding us in reality. In short, his take on AI is slim on details, and he makes sweeping and often one-sided arguments while largely skirting clear of the raw facts. The same goes for his treatment for biology. He mentions gene editing several times, and there is no doubt that this technology is going to make some significant inroads into our lives, but what is missing is a realistic discussion of what biotechnology can or cannot do. It is one thing to mention brain-machine interfaces that would allow our brains to access supercomputer-like speeds in an offhand manner; it's another to actually discuss to what extent this would be feasible and what the best science of our day has to say about it.In the field of AI, particularly missing is a discussion of neural networks and deep learning which are two of the main tools used in AI research. Also missing is a view of a plurality of AI scenarios in which machines either complement, subjugate or are largely tamed by humans. When it comes to AI and the future, while general trends are going to be important, much of the devil will be in the details - details which decide how the actual applications of AI will be sliced and diced. This is an arena in which even Mr. Harari's capacious intellect falls short. The ensuing discussion thus seems tantalizing but does not give us a clear idea of the actual potential of machine technology to impact human culture and civilization. For reading more about these aspects, I would recommend books like Nick Bostrom's "Superintelligence", Pedro Domingos's "The Master Algorithm" and John Markoff's "Machines of Loving Grace". All these books delve into the actual details that sum up the promise and fear of artificial intelligence.Notwithstanding these limitations, the book is certainly readable, especially if you haven't read "Sapiens" before. Mr. Harari's writing is often crisp, the play of his words is deftly clever and the reach of his mind and imagination immerses us in a grand landscape of ideas and history. At the very least he gives us a very good idea of how far we as human beings have come and how far we still have to go. As a proficient prognosticator Mr. Harari's crystal ball remains murky, but as a surveyor of past human accomplishments his robust and unique abilities are still impressive and worth admiring.

This book is a mixed bag. It has three parts. The first is a review of some of the concepts explored in Harari's earlier book Sapiens. It elaborates on the fascinating concept of "intersubjective reality", whereby concepts that are shared in our collective imagination have great power to shape our objective reality; examples given include money, corporations, pop-culture brands, and religions. Part 1 is engaging and insightful, and deserves 4/5 stars.Part 2 is a critique of what Harari calls "humanism". He really dislikes humanism: he inaccurately states its tenets, and then repeatedly mocks it (for example, as promoting indulgent consumerism and sex). He claims that humanism is what is giving rise to an emerging cybernetic dystopia, described in Part 3.Harari is abusing the word "humanism," as a canvas on which to paint his caricature of modern liberal culture ("liberal" in the classical sense, not in the sense of left-wing politics). He is not really interested in what humanist writers and philosophers have actually said, and does not reference their works. He claims that humanism promotes the belief in a supernatural free will (when in fact, humanists value agency and freedom, but have differing opinions on free will). He claims that humanism believes in an indivisible self/soul (when in fact, psychologists since Freud have a different understanding). And he claims that humanism believes that individuals always know best about their own needs (when in fact, many have emphasized the importance of education in our development--he does not even reference John Dewey). Harari also co-opts related terms that already have other established meanings, such as "evolutionary humanism" and "liberal humanism".If you want to understand humanism or other social-political movements of the 19th and 20th centuries, Harari will lead you astray. Part 2 deserves only 2/5 stars.Part 3 is a dire prediction for humanity's future, as genetic engineering, AI, and human-machine interface technologies advance. Harari gives several scenarios, each of which are described very plausibly as future extrapolations of current trends. These scenarios are thought provoking and disturbing--we as a society should be taking them more seriously. There is an interesting discussion of an emerging religion/ideology of "dataism", wherein moral worth depends on the ability to enhance data flow, rather than on consciousness. Part 3 deserves 4/5 stars.For most of the book, Harari appears to be adopting a materialistic perspective, and one which is also extremely unsentimental and discounts the significance of human morale and character. He pretends to assume that human beings are nothing more than algorithms.However, some of his arguments (against the existence of an indivisible self, against free-will) are similar to those in Buddhism. He also discusses how animals and people have consciousness and subjective experiences, and presumes that artificial intelligence will remain unconscious (the "weak AI" hypothesis of John Searle).And on the very last page, he makes us wonder if his hardcore materialistic perspective has just been a long, extended ruse: he asks us to question a worldview that would deny the significance of consciousness. So it seems likely that in a future book he will focus on the nature of consciousness, and argue for non-theistic Buddhism (an understated agenda in Harari's writing--perhaps he thinks that this is the way for humanity to avoid the grim fate predicted here?).The reader concerned about techno-dystopia may also be interested in "Weapons of Math Destruction," by Cathy O'Neil.[Update 6/13/2017: see the comment below, by kaiser100, for further insight into Harari's perspective on consciousness and meditation. The comment begins with "Harari indeed believes that developing an understanding of consciousness, a science of mind, or however else one wishes to phrase it is the best and perhaps the only way to avert the grim fate that threatens humanity in this century."]

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Rabu, 27 September 2017

Free PDF Buffalo's Pan American Exposition (Images of America)

Free PDF Buffalo's Pan American Exposition (Images of America)

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Buffalo's Pan American Exposition (Images of America)

Buffalo's Pan American Exposition (Images of America)


Buffalo's Pan American Exposition (Images of America)


Free PDF Buffalo's Pan American Exposition (Images of America)

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Buffalo's Pan American Exposition (Images of America)

About the Author

Authors Thomas Leary and Elizabeth Sholes have served as interpretive history consultants and advisors to national and international industrial heritage projects. They bring the images to life with a thoroughly researched and informative text.

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Product details

Series: Images of America

Paperback: 128 pages

Publisher: Arcadia Publishing (September 25, 1998)

Language: English

ISBN-10: 0738557897

ISBN-13: 978-0738557892

Product Dimensions:

6.5 x 0.3 x 9.2 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,519,114 in Books (See Top 100 in Books)

This is not only one of the best of the Images of America series, it is itself a small gem. It compresses information about both the Pan-Am and turn-of-the-century US history into very few words coupled with superb pictures. With incredible economy, the authors lead us through a rapidly changing American landscape of social mores, values, and politics in which the Pan-Am is played out as a representative image of all that is good and bad in the country. I learned so much about women, minorities, the rise of a consumer society, colonialism, class and power, architecture, and engineering - and just plain fun as it was known in a world before TV. What a great introduction to the modern era in US history! Wow!

A great book for anyone who is interested in Buffalo, New York history. My only wish is that the author had some pictures of what was done to the land after the Pan American Exposition was torn down.

good resource

Having lived in Buffalo years ago, I always wanted to know more about this fabled exposition of yore. This collection of rare photos of the building of the various exhibits & the opened fair itself is a treat! Only flaw is that many of the captions are for architecture aficionados only.

Better than I expected. I was looking for history on the art and color and this book was exactly what I was looking for. A well written book on the times.

Good review of the exposition where a President was shot, and later died from physicians ineptitude.Tends to give cursory coverage of negative events.Riots on the last night aren't mentioned.

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Sabtu, 09 September 2017

Free Ebook Kiss or Kill: Confessions of a Serial Climber, by Mark Twight

Free Ebook Kiss or Kill: Confessions of a Serial Climber, by Mark Twight

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Kiss or Kill: Confessions of a Serial Climber, by Mark Twight

Kiss or Kill: Confessions of a Serial Climber, by Mark Twight


Kiss or Kill: Confessions of a Serial Climber, by Mark Twight


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Kiss or Kill: Confessions of a Serial Climber, by Mark Twight

Review

Read [Kiss or Kill] if you have alpine ambitions -- or have a disturbed mind. It's a good read, and you might gleen some perspective from it. (Scree)If you've delved into the growing body of mountaineering literature by reading books like Jon Krakauer's Into Thin Air ... be forewarned: They're like Billy Joel; Kiss or Kill is like the Dead Kennedys ... Prodding the deepest recesses of fear the way he'd stab a wafer-thin ice runnel with the pick of his axe, Twight's Kiss or Kill is an engaging read. (The Vancouver Sun)With chapter titles such as 'House of Pain' and 'I Hurt, Therefore I Am,' no one would mistake Twight for a member of the Von Trapp family. A bracing tonic for us desk-bound wussies. (Pittsburgh Tribune-Review)[Twight] is brutally honest, and nobody, including his friends or himself, is safe from his high standards and criticism. Many of these [collected pieces] are gems and shed new light on his earlier work... This is literature about the soul of alpinism, not a blow-by-blow account of climbing drudgery from some tourist peak bagger. (Rock & Ice)A glimpse into the psychological reasons one person faces extreme danger. (Reference & Research Book News)Deeply personal, arrogant, grandiose, thrilling and unapologetic, this record of [Twight's] career will gratify and repel extreme athletes, their admirers and detractors. (Publisher's Weekly)

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About the Author

MARK TWIGHT is one of America's leading alpinists. His gripping accounts have been published around the world and translated into five languages. He is also the author of the best-selling book Extreme Alpinism: Climbing Light, High and Fast, from The Mountaineers Books.

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Product details

Series: Confessions of a Serial Climber

Paperback: 192 pages

Publisher: Mountaineers Books; 1 edition (January 15, 2002)

Language: English

ISBN-10: 0898868874

ISBN-13: 978-0898868876

Product Dimensions:

5.9 x 0.6 x 8.9 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

50 customer reviews

Amazon Best Sellers Rank:

#40,638 in Books (See Top 100 in Books)

This isn't your typical climbing/adventure book that goes through all the trials and tribulations of a particular climb or expedition. It's much more introspective and gives you a glimpse into the author's (Mark Twight a world-famous Alpinist who is now in his 50's and is into a lot of different things) mind.It's a compendium of his articles and essays published in the past. The author presents each piece pretty much as it appeared when first published, then has a couple of updates at later dates--penned several years later and then several years after that. It's an interesting presentation--you get a feel for the changes in the author's perspective over time.Some of the early stuff is pretty overwrought, as Mark admits in his updates. It's also not nearly as well-written as later material. It's interesting to see the great improvement as he learns the writer's craft. Aside from the very early stuff, the writing is top notch, at least in my opinion.There are enough great climbing stories to satisfy, but for me the best stuff are Mark's insights into some of the psychological (or dare I say spiritual?) aspects of climbing both as an individual and with friends with whom one shares unique and un-duplicatable challenges of the highest order. He also has a lot of good takes on the climbing "scene" as it has evolved over the years and, sadly, seems to be going the way of all things in this consumer-oriented, "star" based culture. C'est la vie.There is supposed to be a movie coming out that Twight has some role in about climbing in the French Alps. Can't wait to see it.I'll never be a climber, but there's a lot to admire and aspire to here.

i saw a slideshow by mark in rural idaho sometime in the late 90's, having no idea who he was. he had two slide projectors that were set to alternate slides on the same screen seemingly synchronized to some music while he spoke.my strongest recollection of the show was the end, where he had images of church windows and graves from climbers crossfade while he spoke of all those lost from his circle. that part went on for quite some time. i immediately went out and got his book 'extreme alpinism', which is sitting dogeared on a table here in the room some 15+ years later. my aspirations to achieve my own personal bests in all areas of my life were deeply influenced by this book as it was the first thing i ever read that just cut the fat away completely on what is possible. most interesting is his thoughts on suffering and action.this book, 'kiss or kill', contains his writings over the years, many of which are on his 'gym jones' website these days. if you have no interest in ruminations on a take no prisoners/excuses approach to climbing/life there is no point in reading this book and then giving it a poor review. i find it deeply candid considering mark is at heart, a punk, willing to put his money where his mouth is.the front page of 'extreme alpinism' has this quote:"for my mentors i owe you everything,strategy is beyond the techniques,technique is beyond the tools,one,two,ten thousand."after 15 years, i am still coming to understand this......

You come away with a few things from this collection of Mark Twight's writing, he is a no BS kind of guy, fearless on a couple levels, and of the old saying "it's better to be lucky than good" he is both. His climbing resume and writings on how he lived his life show that he is a put up or shut up kind of guy. He is fearless, but not reckless, in his climbng. He is also fearless for putting his essays out there. His early work is clearly ruff, full of youthful bravado and angst. As he progress, he becomes a damn fine writer. You have to respect that he would put it all out there for public consumption and expose himself to the guile of his "peers."Twight is also deep and reflective. You can see he mellows with age, but is intense at the same time. His losses in the mountains -friends, climbing partners, relationships- affected him and gave him perspective; his admission that he never expected to live past 26 shows how looking back, he is happy he has.The underlying theme as I understood it was a philosophy of respect for pushing yourself as hard as you can and then giving more - even if you are not a world class climber or athlete, you get respect if you give maximum effort to your endevor and you need to develope the mind to know when you did and not let external factors affect your self analysis - you do it for you and you are your own toughest competion.The people who critique this collection or Twight as ellitest or an egomaniac aren't digesting it. The essay on the weekend warrior mentality is very insightful and can be applied to anything you do in life.Twight is a facinating guy, with interesting insights. This is not light reading and slightly dark, so my suggestion is to read it slow; put it down, think about it and come back to it. The climbing essays are good, but be aware that much of the book expouses his philosophy.

Long, long ago, I saw Mark give a show in Boulder. It was laced with profanity and although it was entertaining at times, it was also so dependant upon proving that Mark was different, better, more intense and more... Twight, than any of us could ever be, and ultimately, that made the whole seem less than the sum of the parts. Over the years, I've read his articles and have seen more of his talks, all of which were a testament to the Mellowing of Mark. Yes, he has mellowed, but that is not to suggest that he is mellow.Kiss or Kill has a similar flavor to it, showing the change of Dr. Doom over time and place. I found it extremely funny, extremely sad, extremely entertaining and sometimes extremely overcooked. In short, extremely Twight. It belongs on any committed climber's bookshelf.

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Kiss or Kill: Confessions of a Serial Climber, by Mark Twight PDF

Senin, 24 Juli 2017

Download Laugh Attack!: The BIGGEST, Best Joke Book EVER (Highlights™ Laugh Attack! Joke Books)

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Laugh Attack!: The BIGGEST, Best Joke Book EVER (Highlightsâ„¢ Laugh Attack! Joke Books)

About the Author

Highlights™ is the trusted brand that believes children are the world’s most important people. From our award-winning magazines—Highlights™, High Five™, and Hello™—to our bestselling puzzle books and groundbreaking educational books, the Highlights promise of helping children become their best selves can be found in all of our exceptional, high-quality products for children.

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Product details

Age Range: 6 - 9 years

Grade Level: 1 - 4

Series: HighlightsTM Laugh Attack! Joke Books

Paperback: 352 pages

Publisher: Highlights Press (March 1, 2016)

Language: English

ISBN-10: 1629795534

ISBN-13: 978-1629795539

Product Dimensions:

5.6 x 0.9 x 8.2 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#58,999 in Books (See Top 100 in Books)

My kids (5 & 6) LOVE telling jokes. After about the 10,000th same knock knock joke - it was time to broaden their horizons. The text is big and pretty easy for my 6 year old to read unassisted. Its a win-win. They get to embrace their comedic career and I know they're improving their reading skills.

For this summer vacation. I have to buy books for him to read . I am pretty sure that I choose a funny book for him. But it's too easy to read for 9 yrs old kids.

It didn't get here in time for Christmas, due to a number of factors not all of which were attributable to the vendor. Still, it was a gift for a 7 year old and she really likes it.

I bought it for my 7 year old cousin and he loved it he has had “joke shows” for the family.

we love paging through this as a family, and my son who is 7 LOVES IT! GOOD CLEAN SIMPLE CATCHING JOKES that everyone will love!

very punny jokes, has been encouraging my reluctant reader to read

Cute book. Bought for my 7 year old nephew!

This was a gift for my 6 yr old granddaughter. She loves it

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Rabu, 12 Juli 2017

Download PDF Engineering Physics I Phys 1600 At Auburn Universi

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Engineering Physics I Phys 1600 At Auburn Universi

Book by Raymond A. Serway, John W. Jewett

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Product details

Paperback

Language: English

ISBN-10: 0495839833

ISBN-13: 978-0495839835

ASIN: B00EKZCBL2

Package Dimensions:

10.9 x 8.4 x 1.6 inches

Shipping Weight: 3.6 pounds

Average Customer Review:

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Amazon Best Sellers Rank:

#7,651,420 in Books (See Top 100 in Books)

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Senin, 10 Juli 2017

PDF Download DAREDEVIL BY FRANK MILLER & KLAUS JANSON VOL. 1, by Frank Miller

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Product details

Paperback: 336 pages

Publisher: Marvel; First Edition edition (November 19, 2008)

Language: English

ISBN-10: 0785134735

ISBN-13: 978-0785134732

Product Dimensions:

6.8 x 0.6 x 10.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

58 customer reviews

Amazon Best Sellers Rank:

#66,335 in Books (See Top 100 in Books)

Frank Miller had a really famous run with Marvel and the Daredevil comic starting in 1979. He started off as an artist working with Roger McKenzie who authored the comics in issue #158, which then moved to them collaborating on the plots in #165 until Miller took over the Daredevil comic in issue #169. Klaus Janson was his inker helping to bring his drawings and stories alive. That’s collected together in this first of three volumes.Miller got started with Peter Parker The Spectacular Spider-Man #27-28 that featured Daredevil, which are included. The story, penned by Bill Mantlo, is about Spider- Man being blinded by the Masked Marauder who leads the Maggia and threatens New York City with a bomb unless he gets paid a ransom. Daredevil comes to Parker’s aide. That relationship between the two brings a real human element to the comic, but the overall story is overblown and cliché.As for McKenzie, he has a real nice style. In this iteration of Daredevil he’s always in the shadows stalking people before the big fight. McKenzie adds to that with a bit of a hard boiled edge to his dialogue and commentary.When Miller took over the franchise he seems to have learned a lot from McKenzie and continued with the hard boiled/neo-noir style in his dialogue boxes. That meant there was more continuity than change when the switch took place.That’s also shown by the fact that there were several themes and characters that crossed over between the two. First, Matt Murdock was caught up fighting the underworld, which become centered around the Kingpin. At the same time, the mob put out a hit on DD which was taken up by Bullseye who appears in several comics in this collection.Overall the best comics collected in Volume 1 are #168 when Electra was introduced for the first time as an cutthroat doppelganger of Daredevil. In #169 Bullseye escapes from a mental institution and is so deranged from a tumor in his brain that he sees DD in every person that passes him. Another is #172 when the Kingpin works himself back into being the boss of New York’s underworld while DD has another confrontation with Bullseye.This is a great introduction to Miller’s work with Marvel. All the comics included are good with the exception of the two Spider-Man issues.

Some of the comics in this collection are some of my favorites I've ever read, they're harsh, unique, unpredictable, and extremely well done and entertaining, common traits of comics written by Frank Miller. However, only half or maybe less of the comics are written by Miller, the rest are only illustrated by Miller, so the storytelling is a little more generic. Not bad, really, but certainly not as good as the last handful in the collection. I still highly recommend, if nothing more than to get you ready for volume 2 which I really loved, also to witness Elektra's first appearance ever as well as Kingpin and Daredevil's first meeting.

Great pick up for any first time Daredevil reader. I think if you're new to the actual Daredevil comic realm after coming off the incredible and gritty Netflix series you might be thrown off by how lighthearted the actual stories are here, but you have to keep in mind that the comics collected here were written in 1979-1980, so don't expect to be getting Frank Miller Dark Knight Returns, modern Daredevil, etc.

Great collection. Frank Miller's writing and artwork definitely still holds up today. Only complaint is that the issues that predate Miller's tenure as writer do seem dated and sometimes ridiculous. (Daredevil shouldn't be in a public hospital with a bandage wrapped around his mask.) There not all bad though, and Miller's issues alone makes this a must have for any daredevil fan.

I purchased this item months ago and it disappeared off my tablet. To today I tried to see what I could do to get this item back into my tablet. So I went to purchase hoping it would say that I already purchase this item. Instead it purchase the item. So I went to cancel before the download could finish and was told my purchase was cancel. Not only did it take the money out for something I purchased months ago but I still don't have the book and can't download it unless I our it for a third time. What's going on with this? I shop Amazon all the time.

Daredevil is still a little campy, but the stories are still excellent (after issue 168.) Once you get to Miller's writing, it's the beginning of one of the best series.

Before Frank Miller pays his dues for "Wolverine" miniseries, "Daredevil: Born Again" story arc & "Batman: The Dark Knight Returns" graphic novel, he was an unknown artist who ends up saving Daredevil from being cancel by leading him into a whole new direction. This is Volume 1 of Frank Miller's stories of Daredevil which starts with "Peter Parker: The Spectacular Spider-Man #27-28" where Daredevil was helping a blind Spider-Man. Then in "Daredevil #158-161 &163-164", it features the "Marked for Death" storyline where Black Widow bounces back into Daredevil's life as he takes on Deathstalker, Bullseye, & even go toe-to-toe with the Incredible Hulk. Then Daredevil told his trusted ally Ben Urich his secret identity & his origin story. Then in "Daredevil #165", Daredevil tangles with Doctor Octopus while telling Black Widow that he's in love with Heather Glenn which led to Black Widow leaving New York heartbroken. In "Daredevil #166", Matt Murdock's best friend & partner Foggy Nelson was getting married and in "Daredevil #167", Daredevil went up against the Mauler. Then in "Daredevil #168-169," Daredevil run into his old college sweetheart Elektra who is now a mercenary & once again battle Bullseye. In "Daredevil #170-172", it features the "Gang's War" storyline where Daredevil first goes toe-to-toe with the Kingpin.If you love Ann Nocerti's legendary run of "Daredevil", then you're going to love Frank Miller's legendary run because he's a genius. His run made him a star artist and these Daredevil stories prove it.

Nice, gritty drawings finely inked. Well written stories that didn't linger too much on back story. Look forward to picking up Vol. 2.

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Sabtu, 08 Juli 2017

Download Ebook The Carrying

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Audible Audiobook

Listening Length: 1 hour and 39 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Milkweed Editions

Audible.com Release Date: October 25, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07JMY6TNZ

Amazon Best Sellers Rank:

I heard Ada Limon read "Wonder Woman" on the radio, and was so moved by it, that I had to pick up the book. The collection is, to borrow a metaphor from a previous reviewer, a thunderstorm. It is slow to start - the first 18 poems didn't really grab me or really capture my imagination. But like a storm, the pressure builds until there is a tremendous release and torrent. So, too, here, as the remaining two-thirds of the collection really hit me where I live. Among my favorites are her "The Contract Says: We'd Like the Conversation to be Bi-lingual" in which Limon writes,"When you come, bring your brown-ness so we can be sure to pleasethe funders. Will you check thisbox; we're applying for a grant.Do you have any poems that speakto troubled teens? Bilingual is best. ..."Several of her poems seem to be of a more personal nature, which I struggled connecting with. Those that touched on issues of politics, race, gender and broader descriptions of relationships and life resonated more with me - like "Wonder Woman" and "Instructions on Not Giving Up":"More than the fuchsia funnels breaking outof the crabapple tree, more than the neighbor'salmost obscene display of cherry limbs shovingtheir cotton-candy colored blossoms to the slatesky of spring rains, its the greening of the treesthat really gets to me ..."I am glad that I pushed through the first section of the collection - the images, the perspectives, the emotions that Limon stirred in me through her poems were why I read poetry in the first place: they capture moments in time and open a door through which I can connect with the poet. A beautiful anthology.

Ada Limon’s poems are like a daydream. Consider your most peaceful moments—the contemplative, content ones where you get to observe a moment in your life as if it were in a museum. Consider thinking and not thinking, transcending thought, absorbing and experiencing, contributing and receiving. In The Carrying, Limon writes about her life with impressionistic grace, conjuring all the soaring triumph of a quiet moment during golden hour. She does this even when writing about what’s difficult: grappling with her struggles to have a child, struggling with self-image, considering what it means to love and be loved. Her poems are fiercely personal, and because of that they are universal in their beauty. Like all good poets, Ada Limon offers no answers through her work, but offers her company while we play with questions. The result is a comforting and deeply human collection that embodies the strength and curiosity of the nature she so frequently invokes. If you don’t know Ada Limon, I am envious of you. The only thing more perfect than experiencing her is discovering her.

Dominant themes: living with severe (often debilitating) medical issues, mortality, nature, parenting, infertility, self-worth, love. Those are what spoke to me – you may pull others. As with all collections of poetry some spoke to me more than others. I particularly enjoyed Trying, and those that similarly spoke to finding purpose in the face of mortality. The overall mood of the poems seemed depressing and dark, there was always a pall over the narrator; the narrator seemed to carry the weight of the world at all times. The author’s language was less figurative and more literal.

This is not a book of poems, this is a thunderstorm: electric, beautiful, alive. Sometimes painful and heartbreaking but always full of light.

Nothing can reach the pinnacle of Bright Dead Things but the poems here are head and shoulders above most contemporaries.

Without a doubt the best collection of poems to come along in years! Nevermind poetry, this is one of the best books (of all types) in 2018!

There is no one that would not benefit from reading Ada Limon. She is a brilliant poet!

Ada Limons' best book so far Should be up for the National Book Award for Poetry and win!!!

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